Saint Michael and All Angels in an Initial I an antiphon How they crowd, historiated, this little I. Serried wingtips, row on row of burnished nimbuses, recede behind a striding Michael and that sword. For all I know his gangsta birds are all that won me two good years and seven good enough. Some fight. Look-- this Lombard painter’s looped a bowl in the Latin I: Iesu, Iudith, my namesake. I grew up proud and haunted-- false seductress, whore for God. Like her I wielded my own sword, and borrowed glory. But now I don’t know. Blades have done their best, not good enough. If Pascal’s wager is a fool’s bet, what’s left but to admire the gift of contemplatio? Was that his heretic idea, painting the sea of faceless angels stroke by stroke? That the will to art like the will to God, leads not at the last to the will exalted. That I and the chanters of his antiphon will not see face to face. That my coup de grâce won’t come from one angelic action hero’s sword but from the company of all those golden harrows. Randall Couch Editor's Note: The poem refers to a Lombardic illuminated antiphon page illustrating the triumph of St. Michael with iconography similar to this panel shown by the Spanish Master of Zafra, in the Prado, Madrid. Randall Couch’s most recent book is Peal (Coracle, 2017). He edited and translated Madwomen: The Locas mujeres Poems of Gabriela Mistral (Chicago, 2007), which won the UK Poetry Society’s biennial Popescu Prize for Poetry Translation, was one of two finalists for the PEN American Award for Poetry in Translation, and was named one of ten poetry books of the decade by the London Review Bookshop. His own poems and critical essays have appeared in numerous journals and anthologies. A founding member of Penn’s Kelly Writers House, he has appeared frequently on its PoemTalk podcast, cosponsored by the Poetry Foundation.
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December 2024
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