Sistine Chapel, The Creation of Adam "The religious ideas of Christianity [. . .] are impregnated with the majesty of fatherhood." Bertrand Russell, Marriage and Morals (1929) Lounging on verdant green, newly emerged from God’s uterine dream: Adam in repose. Unclothed, his skin glows like burnished gold. His angled chin, hairless as a boy’s, and soft his youthful gaze. But a man’s muscles, in firm ripples, from shoulder down the extended arm, flow. Wrist, elevated to form an elegant arc, and the hand hovers in ignorance, yet, of the chasm, the infinite distance between two fingertips. And the small penile gesture plainly in view. God, His touch withdrawn forever. Draped in white like light spilled from a pitcher, He beholds from above what He has made below. His blue-grey beard blows back like curls of smoke. Young Eve held back in reserve, locked under divine arm amid a crowd of cherubs. The whole assemblage—God and his manifest—contained in a red swath of cloth whose folds, nudged by infant heads, belie the myth of heavenly birth. Cracks in plaster like wrinkles in paper crease this man-made universe. All is rent, unlinked, but woman-marked: Note Adam’s navel. Brook J. Sadler Brook J. Sadler: "In 2019, I was honoured to be a Featured Poet at the Dali Museum Poetry Series in St. Petersburg. My writing has also been supported by a residency at the Virginia Center for Creative Arts and workshops at Bread Loaf, Sewanee, and the Vermont College of Fine Arts, among others. My poems have been published with many literary journals, including The Greensboro Review, The Missouri Review, The Cortland Review, Boiler Journal, and ROAR. My prose essays appear in Ms. Magazine, Pleiades, Aquifer: Florida Review Online, Women's Review of Books, and elsewhere. I also publish scholarly essays in many academic journals and books."
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October 2024
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