Solace Numbed by the world’s troubles I sit at my computer scrolling through everything but the news. Is it prayer, this clicking and clicking? All I can say is that I don’t quit until something inside shifts. Quickens. Tiptoes from shadow into light when I stumble into a trove of photographs that show how nicks and fissures in fragile, fractured things are fixed—in the ancient tradition of Kintsugi--with natural lacquer dusted with gold. Somehow consoled, I gaze at these cups, plates, teapots, shells-- for the moment restored, their frailties aglow. So like our hearts, those shattered bowls, their seams of fleeting brightness. Laura Ann Reed Laura Ann Reed holds a dual undergraduate degree in French/Comparative Literature from The University of California, Berkeley, and subsequently completed master’s degree programs in the Performing Arts and Clinical Psychology—prior to working as a leadership development trainer at the San Francisco headquarters of the United States Environmental Protection Agency. She and her husband currently reside in western Washington. Her work has been anthologized in How To Love the World, and is forthcoming in the SMEOP anthology: HOT, and in the anthology, The Wonder of Small Things. Her poems have appeared in Swimm and The Ekphrastic Review, among other journals.
1 Comment
Becky DeVito
12/29/2022 12:35:20 pm
I love the implication that all our scars have gold in them. So true.
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April 2025
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