something else unless means for emese they said not all who wander are lost, but i'm lost, and you're lost. the sidewalk cracks, the moths at the lamps, and the scraps of old showposter buried in the phonepole, and if i never did say i love you, i just forgot which one of us i was. maybe we could make a bonfire tonight, watch the shapes of our problems twist like tv channels in the smoke. i could meet you somewhere, i mean, i could meet you if you're not here now. that firepit we found under the trestle with claystone slabs pushed all together, cupping the heat til the edges glow like sleepy incense cones. the way you dropped empty cans in the embers and they curled like onionskin, golds and rusty blues dispersing to chalk mandalas through the ash, and TEXACO carved in the slabside like a cat's halfdisintegrated bones. or that firepit in the abandoned fieldlot with a rotted backhoe tilted half into the earth, the way crumpled papers never catch, there's so much dew, so you just sit there in your trampled wheat, sit round a broken-banded headlamp while ufo ghosts flick at the horizon like dusty ocarina notes. it's the way old shroom trips remember themselves inside your blood, in the negative space between your nerves. just here. where the mist touches your skin. it’s sitting lost with the tall ferns curling away from their colours in the dark, and the way i wish we were real. and that firepit sawn from a old iron drum in centennial square parkade. the way you roast smokies on a radio antenna, the red sirens tooling up the parkade ramp never get any closer. and stickdrawings ochered on the concrete wall, older fires remembered. flipped cars, burning stopsigns and chainlink, backpacks that walk on raccoon feet, kids with knotted twine for eyes, and that one word UNLESS, like a joke. and you just look over your shoulder, every car window's blown out, everywhere, and flowers of rye soughing from the rusty frames. right? if you'd just look over your shoulder, if we’d find the creekbank again. downstream from two green deckchairs bikelocked on an oak, that firepit, toss campingfuel and pallets off the bridge. the way you’ve got to dig out last time's ashes, plant a sixpack upside down for the kids under the creekbank who patch their jeans with fishingline and bags, we’d find the old six sideways, full of mud. and did we even meet each other anywhere? how you'd always turn from the fire, pretend to warm your skinny hands on the sky. you'd turn from the distant campflames starring the flat concrete dark, the latticed charcoal planks, like someone’s ribs left behind. i forget, and i heard you just keep turning left in a maze. walk forward, follow the wall with one hand, go left every turn. it won’t matter how you're lost. unless there's no walls in the way, or we're both going, unless i said meet me somewhere. Noah Wareness Noah Wareness makes fiction and poetry by hand with scratchy black pens. He does a lot of live storytelling at DIY shows, but Meatheads is his first novel. It first circulated in the folk punk and speculative fiction communities as a handmade zine with wheatpasted cardboard covers and speaker wire for binding. He went to school for writing on the west coast, and now he lives in Toronto with some friends.
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October 2024
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