Something Like Living
If an oil painted portrait is a second hand reflection a burlap sack is: the flatness of defeat grafted textile imprisonment startling sacchi They must have said pointing at the bloody rips in the cloth the sulfurous dust graining the corner "Here is blood washing up on the shores of Tripoli Mussolini's funeral shroud the skin of a dead monster!" But it is much more deliberate necessary even when One fingers the running stitches and crazy veins One feels the tired vital signs of a free man We all make art from what we know the pieces of our selves given by fathers jailers lovers and passersby they are the things we know crowding out the light of our day shouting us down they threaten to topple us over bury us And you knew bandages rough wool suits and laundry sacks the necessary pieces of your self to use anything more that's vanity The scars of prison the shredded linen and the aggressor the inhumanity of men I don't know this I am still fully on the other side of the wheel the slow upward ride of accumulation and satisfaction You shake your head if the victims ran the show there'd be no one left to share the dark tenuous stitches of our dizzy dreams crooked smiles and cracked faces in the thread you wouldn't have saved these scraps from the bin Everyone finds out what they are put together from that they are not colourfast some are only late to the show In the worn out places dirt clots in our scored surfaces I can almost smell the sweet decay of earth there almost see the gangly little flowers crawling through the cracks in our crumbled wall in early springtime These remnants flicker and fade when I turn to look: patchwork quilts and walls alike mean nothing in themselves they exist obedient to their purpose to settle for a quiet life longer than ours stand against time measure our ever changing now To keep some things out and some things in and let very few things pass between only a warm breath a single strand from a pale silkworm or the weedy green shoots of time Joe Boyle Joe Boyle earned his M.A. in creative writing at University College Dublin in 2013, where he edited the annual class anthology, Fault Lines. His thesis was a collection of poems called "The Innocents." He currently lives in Kent, Ohio, where he studies, reads and, at times, works. He can be found pushing pencils at an Akron block. He graduated from Kent State University in 2012, where he studied history, English and writing. Joe has been published online and in print in Bare Hands, We Are The Catalyst, Luna Negra, and the book for the 2012 Jawbone poetry festival in Kent, Ohio.
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September 2024
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