That Guy I’m not the guy in the white shirt about to run red. I would not have had the strength to raise my arms like Christ wondering why dear old dad had deserted him, not with that cyclopean musket staring me in the face. And I wouldn’t wear yellow pants, even on Madrid’s finest golf course. I’m not the guy on the legs of the guy sleeping in a pool of sandy blood, fish-mouthed, his compatriot staring through closed lids at stars black. They were the brave vanguard, not where I would have been and my personal space needs prohibit even posthumous contact with a dead man’s legs. I’m not the guy in Christ’s right armpit, looking serenely past the row of fuzzy felt hats lined up like dice cups in a street con. He has accepted his fate and waits with eyes open. For me it be would resentment, not acceptance. Fault not fate. And horseshoe mustaches went out with the 70s, I think. I’m either the guy framed by the left armpit, three rows of buffer bodies between me and the bullets, crouched over, hands to mouth, chewing nails, a cartoon rat with a wedge of Wisconsin, looking away in hopes that lack of eye contact will render me invisible, childlike, hiding in plain sight or the guy closest to you on the right, posture perfect, impeccably and appropriately attired for the task at hand, position locked, white rucksack across my back like angel wings, ready and willing to climb that steeple beyond the hills, rising into that black sky, with you. James King James King’s poetry has appeared in The Dillydoun Review, The Thieving Magpie, Big City Lit, and others. James is also the author of the award-winning novel, Bill Warrington’s Last Chance. He lives in Wilton, Connecticut.
1 Comment
11/10/2023 03:03:35 am
I've always had a hard time looking at this painting. Still do, but James King's fresh look at it, wondering which guy he would be, brought a lot of humanity and humility to Goya's canvas, when all I could see was gore and despair. Love "That Guy" as the title, too.
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