The Angel Gabriel Talks Annunciation to Mary Before he’s said a word, even as he bends the knee and rears his wings in golden branches that wow them every time (the more the little peasant is impressed, the faster this will be) his eye is mournfully absorbed in what he sees. She’s still a child, he can smell honey and dairy on her, and just now she secretly put out a finger in wonder to touch a feather. Gabriel lugs the huge gold nugget words Messiah baby into the conversation early, dazzles those big eyes: but he saves the awkward Crucifixion, with its spiky thorns, for later, or never. Also, wrong time to mention five wounds, or drop those bricks lash, wood, nail, storm, tomb. Leave it to life to tell her. After all, he’s not lying: she will bear the main earthman of all time. She’ll lose him, but time chars all our beloveds. Gabriel sighs just once. Then like the whip-length of snake who first sold Eve the apple he fixes Mary with a gaze bright and old as quartz in granite: Have I got a sweet deal for you. Margaret Benbow Editor's note: This poem was written as a meditation on the painting, Annunciation, by contemporary American artist John Collier. We were unable to contact the artist to show his work here, but encourage you to click this link to see the remarkable art that inspired the poet. Margaret Benbow: "I'm a poet and fiction writer. My first collection of poems, Stalking Joy, won the Walt McDonald First Book Award and was published by TTUP press. A collection of stories, Boy Into Panther, recently won the Many Voices Project Award in Fiction and was published earlier this year by New Rivers Press."
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October 2024
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