The Danaides I They are as three mystics with shoulders of stone that is bone calcified from years of undeath, quarried from a wall of fifty, more on their way. It is the eternal renewal of a private place, surrounded by immobile fixtures and the light dank breath of sisters baring breasts in full bloom of a lifeless cistern. There is a constant downward flow from bottomless faces into the Styx, itself with water weeping unabashedly, a task without meaning rehearsed without meaning, and Cerberus kneading his claws into the frontier of an indestructible receptacle. II What is left is lain over, slack with grief: to gather water, aside to gather it, bare water, that has no explanation ocean-wide water, pour to the depth of a pearl. Ford main throat, sole responsibility to condemn yourself before being condemned. How beautiful, limpid your eyes, wells poisoned with hellebore, falseblack, at the low point pushes a greasy ring, the colour and shape of irises to the surface—so thought arises. III What of sisterhood lingers, when each steps gingerly around her guilt: the man she condemned to death, whose face, exalted by seduction, she avoids at all costs—casting her glance away from water’s reflection, where the blade’s edge reappears. Where can she look when the eyes of her sisters are forsaken? She sidesteps the pillar with the caution of the blind unversed in being blind the blind whose speech is unwanted, because each knows just enough to carry water into a silence which proceeds like the exhalations of Sisyphus, with the difference that at the peak of his labors, Sisyphus rests. The silence where her words were always merely breath blown from a hollow chest, is what lingers of sisterhood, the blue of three collapsed walls. David Capps David Capps received his PhD in philosophy from University of Connecticut and an MFA in poetry from Southern Connecticut State University. Recently his poems have been featured in Peacock Journal, Mantra Review, Cagibi, among others. He lives in New Haven, CT.
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September 2024
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