The Seductive Loveliness of Perspective On any screen my attention drifts whether it's girls online or the official denials a reporter hunched in a bunker or reading the accounts—I'm looking elsewhere: stars and flags draped down empty skies the blasted building windowed embers the 8x10s of Sardinia, how book spines make haiku "the drowned cities embrace fierce December". Here’s his desert cave, now a sandstone proscenium he’s upright in that bent-backed chair and bleak as a Hopper shopgirl, recalling the years of exile, the poverty and ruin of the world. And all this bricolage: a teeny stair, a wall unit, the inlaid floor, vaultage and colonnades everywhere ellipse and line. Even the crucifix up there Christ’s arm pulled back 'til the sockets crack. Now she shifts her shirt, says I’m here now same table lamp, same decor, a glimpse of rushing leaves. Beyond an olive grove where two highways meet-- one to the desert, one to the coast and at the crossroads a boy singing his new-bought voice the birds circling round, charmed right out of the sky. Peter Frankis Peter Frankis is an Australian writer, living in the industrial town of Port Kembla south of Sydney. Recent poems have appeared Wild (Ginninderra Press) Geelong Writers Centre Anthology 2020 (forthcoming) and online in Plumwood Mountain Journal, Vox Poetica and Vita Brevis.
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September 2024
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