the tenement museum
after a photo by Simon Watson this is it then, the single photo that describes my private heart a lone chair for a solitary man bare wooden floor, well worn a mirror, dark with sorrow that cannot, will not show my face whatever reflections may be had must be pulled from somewhere else fireplace, half seen, but full cold no passion there for so long no one even bothers to lay a log not even at yuletide paint and plaster left untouched, unattended, are leaving not in leaps and bounds, no but in daily dissolutions fueling the dust that settles everywhere, everywhere daylight, yes, but muted as though the sun is unwilling to put too much effort here or maybe unable to penetrate the grayness of late life even the blue trim has faded testament to fleeting joys finite moments of pleasure of peace, of contentment and almost as an afterthought a single candle stands half-used, half waiting, ready at the smallest spark to flare into active hope ready to say "i am not done" to say "i am not gone" j.lewis The image shown to illustrate this work is an amazing photo by Christian Holmér (Sweden) but it is not the image that inspired the poem. We were not able to get permission for the photograph by Simon Watson (USA) that prompted lewis's poem, but invite you to see it by clicking here. It is the second photo from the left in the top row. j.lewis is an internationally published poet, musician, and nurse practitioner. His poems have appeared online and in print in numerous journals from California to Nigeria to the UK. His first collection of poetry and photography was published in June 2016, and is available on Amazon (http://www.amazon.com/clear-day-october-j-lewis/dp/168073055X). A chapbook "every evening is december" was published by Praxis Magazine (http://www.praxismagonline.com/every-evening-december-j-lewis/) in February 2018.
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December 2024
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