Congratulations to our Pushcart nominees this year! The Pushcart Prize is an annual anthology since 1976 recognising literary excellence in the small press. It was founded by such luminaries as Anais Nin, Paul Bowles, Joyce Carol Oates, etc. It is an extraordinarily difficult task to whittle down the countless contributions of our writers into six. We are most grateful to Alarie Tennille, our prize nomination consultant, who reads tirelessly throughout the year and makes suggestions for many of the prize categories. We would be lost without you, Alarie. To recognize the outstanding talent of our writers, we now nominate annually for Best of Net, the Pushcart Prize, Best Small Fictions, Best Microfictions, and the Fantastic Ekphrastic Awards. Please join me in congratulating this year's Pushcart nominees! Letter with Green Sky, by Brenna Courtney Sacred Crypt, by Portly Bard Widowhood, by Sandi Stromberg On Planet Set by Joseph Cornell, by Mary McCarthy February’s Loss, by Rebecca Weigold You Are Here, by Sheila Lockhart ** Letter with Green Sky I hope to God that you are silver all over. The dock is slick with ghosts and bird leavings, and winter has ballooned into a groaning, glacial brain, an animal of which even the brooding, secular face of St. John the Baptist would approve. I am curious to know where it is you keep your qualms. Mine are strung around the hip and jangle lightly as I walk. You would think they are some kind of dark burgundy, the colour of shame, but really, they are a lot like what you cannot see — that is, specifically, the sky which has so thoroughly crushed me into conjuring a reason to bear it. Someone wrote me with the confession that they no longer knew how to look at a flower, and, you, I’ve caught it too — the light beams wobble, fall off the eye and it’s like all that fever had been studiously misplaced. It’s the same with the moon, with trees, with flame. The silver of the waves. Perhaps you wear a rosary around the neck, like they tell you not to. Harbor a flair for rumination. The rowers whoop like prophets; I pocket the smallest echos. Their backs threaten rain. Brenna Courtney ** Sacred Crypt So well large windows frame eternal earth as art of sea and sky, of soil and rock, where cycle of decay will feed rebirth of life that briefly clings to waning clock. For elsewhere, you commemorate the works in gallery you see as sacred crypt where hope of immortality still lurks for those that found their eye and hand equipped to render fragile permanence as art bestilling what forever might be seen as all a witness speaking dared impart that conscience in its moment could convene as presence eyes unborn would later share with artist resurrected who was there. Portly Bard ** Widowhood "Yves [Tanguy] was my only friend who understood everything," —Kay Sage Devoted to the surreal, she wandered torturous mazes, painted empty scaffolding when her husband suddenly died. Depression and decreased eyesight haunted “Watching the Clock” and “Tomorrow is Never.” It was “The Passage” she didn’t want and yet brushed onto canvas. A woman shorn of lover-wife persona. The landscape of widowhood, its barren fields and rocky support. Her art’s geometry. She remained faithful curator of Tanguy’s art. Until she painted “The Answer Is No.” Until she chose a bullet, had their ashes offered to Brittany’s wild coast. Sandi Stromberg ** February’s Loss remembering Judah Your heart stopped and February collapsed under the strain of the news. A chill caw pierced my bones: There must have been something wrong…as though I had botched spinning a wool blanket. You were not a mistake. Not a mishap. Not a malfunction. Your body was the size of a down feather, finespun breath and skin… is loss any smaller when it is something small? Lullabies flapped and circled, alighted at my feet. I crowed your name as though my wails could bring you back, as though in frantically turning under the bitter ground I could find explanation, comfort, but the field only shuddered and gave up its dead while God watched in silence perched in the skeleton of ash. Rebecca Weigold ** On Planet Set by Joseph Cornell I don't have much to give, a few worn treasures on a weathered tray plucked from the ash heap of a broken life. Two shells the sea has polished into pearl, a row of glasses ready to hold tears or fine champagne, and two maps of heaven, the swirl of the milky way drawn like a scarf across night’s body, filled with stars that trace the outlines of gods and monsters measuring their way through centuries of sky, I offer you these as gift and invitation, emblem and souvenir of the plain magic that asks nothing more than wonder, the held breath of our most profound attention. Mary McCarthy ** You Are Here watching a bumblebee squeeze its furry abdomen into foxglove fingers you’re trying to work out how long it takes for a pollen molecule to travel from the soil up to its calyx you’re getting close but now you see another galaxy has formed a splotch of swirling grey in a pink universe how many is that now? you count them one two three five hundred and sixty seven and the letters too directing pollinators to the hidden source of happiness and why not you? a message for bees can’t be that hard to decode it’s alphabetical after all a matter of triggering the right responses now the rain splashes silver curtains smearing pink and cream blurring outlines its drops tap-tapping on cups their pipes vibrate with fugal harmonies truths which must be recorded with mathematical precision using special symbols on graph paper no easy task but the beauty of it oh the beauty of it makes you weep if only you could grasp its exactitude its magnificent systems everything would be clear there was a time you could enjoy simple pleasures of line patterns of colour as you would looking at an abstract painting no need to search for meaning everywhere until one day you started counting the number of flowers on each stem the number of bees ones twos threes stacking up behind your eyes and you began to see how every flower contains a universe that demands investigation how you could read their messages how they insisted on it you’ll have the answer worked out very soon you just need one more tiny calculation Sheila Lockhart (nominated by The Ekphrastic Review)
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January 2025
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