What Is the Remedy? Air charged with electricity lightning absorbed in the space between oaks and cedars and pines on Fulling Mill Road after the movie They Shoot Horses, Don’t They? Atlantic City in the Depression where for a cash prize couples dance all night and day and into the next until they drop like a pine split in two. When lightning finds its way to the steering column of the Cadillac convertible first it has to pass through my hands illuminated like a neon sign along the boardwalk where I work evenings engraving jewelry in a careful cursive at a stand lit by floodlights on either side so I am used to this as I am used to the curves on the old thoroughfare that hides a mill that once fulled sheep lightning that finally brings it down because I search for years along the sandy trails for what I focused on until I could right myself on the road stop seeing nothing but flayed stars through trees. Kyle Laws Kyle Laws is based out of the Arts Alliance Studios Community in Pueblo, CO where she directs Line/Circle: Women Poets in Performance. Her collections include Ride the Pink Horse (Stubborn Mule Press, 2019), Faces of Fishing Creek (Middle Creek Publishing, 2018), This Town: Poems of Correspondence with Jared Smith (Liquid Light Press, 2017), So Bright to Blind (Five Oaks Press, 2015), and Wildwood (Lummox Press, 2014). With eight nominations for a Pushcart Prize, her poems and essays have appeared in magazines and anthologies in the U.S., U.K., Canada, and Germany. She is the editor and publisher of Casa de Cinco Hermanas Press.
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October 2024
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