Your Portrait at the art gallery, mid-morning, you stumble in howling wind, driving rain that much calculation, that little calling, pay what you can say what you must naked and formerly naked thoughts the paintings make more sense than your life you are colourless, uncatalogued, unsigned, unframed, not part of a movement or a school not engaged in madness or pain not with muse or music of the soul what will your passing mean in a minute or a decade or so what rages outside weather and history and sad personal foibles lovers with too many words lovers approaching wordlessness all this happening after you heard a voice requesting justification and verification for all those years and unsaid thoughts you, a person without proper documents without adequate scars or memories of found and lost relatives and friends of malformed loyalty and half-forgotten exploits there, a painting of you, how can that be it is mid-morning you have entered here under duress howling wind, driving rain, the paint as dry as regret and guilt an art expert nearby expression of knowledge and cockiness: “strange, I’ve never seen that portrait before, time period ancient, colours modern, what a peculiar amalgam there is dispute over the artist debate over authenticity the signature blurred yet it does capture something of a past age’s anonymity and despair” you turn from the painting, annoyed with the smallness of the left eye displeased with the faintness of the right eye though the sad, forlorn mouth is close to what you imagine yours outside, the skies have cleared you are nearly dry and you have enough for a coffee, maybe two by J.J. Steinfeld “Your Portrait” from An Affection for Precipices (Serengeti Press, 2006) by J. J. Steinfeld, copyright © 2006 by J. J. Steinfeld, and first published in The Writing Space Journal. Used by permission of the author. Fiction writer, poet, and playwright J. J. Steinfeld lives on Prince Edward Island, where he is patiently waiting for Godot’s arrival and a phone call from Kafka. While waiting, he has published fifteen books, including Our Hero in the Cradle of Confederation (Novel, Pottersfield Press), Should the Word Hell Be Capitalized? (Stories, Gaspereau Press), Anton Chekhov Was Never in Charlottetown (Stories, Gaspereau Press), Would You Hide Me? (Stories, Gaspereau Press), An Affection for Precipices (Poetry, Serengeti Press), Misshapenness (Poetry, Ekstasis Editions), A Glass Shard and Memory (Stories, Recliner Books), and Identity Dreams and Memory Sounds (Poetry, Ekstasis Editions). A new short story collection, Madhouses in Heaven, Castles in Hell, is forthcoming from Ekstasis Editions.
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December 2024
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